Here's a photo from Arnold Schwarzenegger's office. He says on Twitter:
I do still have the Conan sword, and I keep it in my office. Here's a picture.
Just Another Day At The Office For Arnold - Arnold Schwarzenegger - io9
War, Technology, & Survival in Fact & Fiction
I do still have the Conan sword, and I keep it in my office. Here's a picture.
Astounding photographs taken by photographers Arthur S. Mole and John D. Thomas. These photos display tens of thousands of American soldiers posing as symbols of American history.
It was hot, the night we burned Chrome. Out in the
malls and plazas, moths were batting themselves to
death against the neon, but in Bobby's loft the only light
came from a monitor screen and the green and red
LEDs on the face of the matrix simulator. I knew every
chip in Bobby's simulator by heart; it looked like your
workaday Ono-Sendai VII. the "Cyberspace Seven,"
but I'd rebuilt it so many time that you'd have had a
hard time finding a square millimeter of factory cir-
cuitry in all that silicon.
We waited side by side in front of the simulator
console, watching the time display in the screen's lower
left corner.
"Go for it," I said, when it was time, but Bobby
was already there, leaning forward to drive the Russian
program into its slot with the heel of his hand. He did it
with the tight grace of a kid slamming change into an ar-
cade game, sure of winning and ready to pull down a
string of free games.
In the 1980s video cassette technology made it possible for “mobile cinema” operators in Ghana to travel from town to town and village to village creating temporary cinemas. The touring film group would create a theatre by hooking up a TV and VCR onto a portable generator and playing the films for the people to see.
In order to promote these showings, artists were hired to paint large posters of the films (usually on used canvas flour sacks). The artists were given the artistic freedom to paint the posters as they desired - often adding elements that weren’t in the actual films, or without even having seen the movies. When the posters were finished they were rolled up and taken on the road (note the heavy damages). The “mobile cinema” began to decline in the mid-nineties due to greater availability of television and video; as a result the painted film posters were substituted for less interesting/artistic posters produced on photocopied paper.